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. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). The last 4 digits are a neck number. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. This is a "fit-all" banjo case. It had a 24 3/4 scale and was constructed of all solid woods. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. Even the group of inexperienced entreprenuers could see and understand the value of the Gibson name. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. A head on a long neck open back banjo might sound completely different on a 12-string banjo. The fingerboard of the L-5S is in with select abalone. 14" resonator on the banjo examined is probably non original (Korean). The following numbers are the earliest known serial number for the year listed. middle-sized, chrome tuners. A flourish inlay under The Gibson in the headstock. If the serial number is legible the instrument can be relatively easy to date. There were 2 tone bars and a treble side X brace with a 102 degree angle about 1 below the 4 soundhole. 587 Similar to 585 but with pearl (vs ivoroid) tuner buttons. Some examples had the black (skunk) strip down the middle of the top similar to the Southerner Jumbos. The grade of top wood was tighter grained. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. The first group in late 1936 had larger soundholes and long scales: 25 1/2. Buckbee (1861-1897) banjos can frequently be identified by their Gibson started making banjos in 1917. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. The early models had shallow neck sets that increased in angle around 1908. 1916 into 1921: the pin to the bridge was dropped. (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, Serial number records exist for instruments built before 1975 and after 1980. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. The bracing for the new larger models was X braced: there were 3 transverse tone bars between the braces 1 more than the Martin as Gibson experimented with bracing design heavy enough to support the large tops and light enough to be resonant and responsive. I'm leaning more in that direction. Because there are few of these instruments around, little has been written about them, though some did find their way into the hands of influential artists of the day. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. The hardshell case had a green or red silk lining. J-L. M. N-P. Q-Sch. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. It had binding on front, back, soundhole and the fretboard; The Gibson inlaid into the headstock and a better grade of spruce top. Here's the photo gallery that I put together:velkdesign.com/assets/banjo/. The Lyon & Healy peghead shape used on most of The soundhole size coincided with the overall size of the instrument. These instruments live a bit outside that critique. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. Example: S3021234 = Samick Korea / 1993 / February . According to the Gibson catalog, natural finish was the only option in 1939 but we are told that at least 2 examples exist of a cherry sunburst from the same period. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. It took Gibson 2 years to develop their response: The Jumbo of 1934. Heads have different effects on different kinds of banjos. They were available in steel string or classical. Headstocks say LoPrinzi. LoPrinzi Guitars most from Plainsboro New Jersey. Features: Carved curly maple body, with ornate multilayer binding, laminated maple neck, ebony fingerboard with abalone block inlays, gold-plated hardware throughout, two gold plated pickups with separate volume and tone, three-way selector switch. banjo headstock identificationleap year program in python using for loop. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. Take a closer look at the serial number found on the back of the headstock and reference the guide below. Gold-plated tuning gears, LOTS of abalone inlay. They could be strung with steel or nylon strings. Many have no identification at all. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. For example: B&D had several un-numbered models between 1913 and 1920. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. I own the book and have found it to be an invaluable resource in identifying these old guitars. If1970s, would be Japanese, more likely. Every banjo has a story. The banjo's fingerboard is where the magic happens. This was expanded in 1935 to about 1/3 of the top area. During 1942 two new models were introduced to the Gibson line-up to replace the J-35 and J-55. No serial numbers etc. Manchester University, All Forums Width at nut 1 11/16, scale 24 3/4. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. So, take a look and . 2 foot pressed arm rest and flat head tone ring. MK-99 models were handcrafted and signed by Richard Schneider. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). 541 Concert: rosewood back & sides with colored wood appointments. How did you come to own it? Gretsch appears to have started a new numbering system at about that time. Our 19th Year * Sign Up Now This is a strong playing. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. The appointments matched the MK-35 but the bracing was modified to accommodate the additional string tension of 12 strings. The more economical Student Grade instruments were often ladder braced. The only available finish was sunburst until 1954. Most information about Larson Brothers instruments comes from their catalog published around 1930. When it came out in 1942 it was the most expensive Gibson flat-top in the line. A Style mandolins were symmetrical and shaped like a teardrop. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. . Electric guitars having the serial number on the back of the headstock. It was basically a slope shoulder dreadnaught like a J-45 or Southerner Jumbo and designed for the country and western market. Most have the patented L&H tailpiece shown in the inset. The following are a rough guide. Acoustic Guitars. Gibson developed the truss rod in 1921. Saga. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. Good size logs of spruce were government controlled during the war and were not easily available shortly after. thin heel footprints as shown below in the second row of pictures: J. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . In late 1 the use of factory order numbers was discontinued. their better banjos is also distinctive, with a small additional bump on either MB -- mandolin banjo. I have never seen one like this in person or even a picture of one. B-series Factory location: Grand Street, New York City from 1972 to 1973. 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. There were 431 made. The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. The braces were generally thin and numerous compared with other manufacturers. Since Spruce was needed for the war-time effort, some J-45s in 1943 have a mahogany top. By 1941, either natural or sunburst were available. The first Gibson J45 guitars were only slightly different from the discontinued J-35. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. The Gibson stamped on tailpiece cover and inlaid in headstock. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. Weekly newsletter includes free lessons, favorite member content, banjo news and more. They were popular with the Cowboy Singing Stars like Bob Baker (National Barn Dance WLS). Modern Gibson Logo open "b" and "o". The narrower guitar sizes allowed for available materials. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. Music Love. The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. There were some 1 3/4 nuts available. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. These were Gibsons first flat-top cutaways. identify the manufacturer of these banjos in many cases, but some identify Where possible, these numbers are in agreement with existing sales receipts. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands. They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. serial number impressed to verso, 60 cm long Australian zither . It is, therefore, not unusual to find older mandolins with replacement bridges. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. Design your own Huber Banjo. Why not post a little tune with it. At least then you will know the model name. CONTACT US; Headstock Shape. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. made unmarked banjos for others to sell as well. $ 5,719.00 $ 5,149.00. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. The tuners were individual. Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. A: One of the easiest ways to determine the age of your banjo is to inspect the serial number, if it has one. Example of custom shape is well represented below with the "Tennessee Banjo". Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. The 1975 price was $1,999. I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. It is most common after 1923 when most Gibson model As had this shape. Materials and methods of production were reviewed and revised. Between 1934 and 1938, Gibson only offered the sunburst finish. Approximate Chronology (there are always exceptions): There were a few natural finished J-45N models made during 1942. Late 1930's Thicker Gibson Logo. Our 19th Year * Sign Up Now Gibson introduced their first adjustable belly bridge 2 screws to raise and lower the bridge. Instruction * ConcertsJams * More Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. For example: In general: Bacon serial numbers begin in 1906 (1 and 2 digit) and run consecutively until the sale of the company to Gretsch in 1940 (5 digit). For sale for $50 cash, firm. 1946 onward: No feet the bottom of the bridge flush on the instrument top. The 1970s are viewed by many collectors and players as the low point of Gibson manufacturing. cases they carry no identifying name at all. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. Take your playing to the next level with the help of a local or online banjo teacher. Thanks for the feedback! side of the top of the peghead (see last set of pictures below). S2M, size 2 guitar with mahogany back & sides. The soundhole binding does not extend the full depth of the soundhole. Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. The centerline of the neck had the black inlay. In the early years, due to the depression and the following wartime austerity, demand for this expensive instrument was limited and production quantities were small. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). Have a vintage Harmony guitar? It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . The sides and back were tinted mahogany with a sunburst red spruce top. Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. Q: What is the first step in determining the age of my banjo? Though there appear to be exceptions, necks between 1912 and 1923 are 3-piece mahogany. of their later banjos had elite tailpieces, Orpheum-like hardware, and long, I have owned a beautiful Kay company banjo for over 30 years. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. Collector's Corner The promotional material in the Gibson catalog of 1934 said: This greater body size produces a heavy, booming tone so popular with many players who do vocal and small combination accompaniment for both personal and radio appearances. Gibson. . It is not clear how Gibson decided to set their nut widths and neck thicknesses. The fingerboard was rosewood with 9 inlaid position markers. Numerous articles in Vintage Guitar Magazine over the years. Each type of banjo head has a unique contribution to your banjo's tone. Silkscreen logos - Low end models. Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. Yes, please do post your tune here on this page. It is very showy though. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. There is a steel tone ring on the maple rim, and the rim has a maple cap. 1978 $1079 Tobacco sunburst is dropped for Fireburst; Maple is now described as Natural. Hand Engraving. GB -- guitar banjo. However there were and are many different types, most of which can be found on this page. He lived in Illinois all his life. In some cases, teachers would USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. A-3s had refrigerator white tops with a black perfling line, adjustable truss rods and adjustable bridges. Thinner cog gears with no bevel on the edge of the cogs. You can buy the book here on Amazon and I would highly recommend it. You may, . The top and back bindings were black plastic. Saga Bella Voce 70/80. An entire bin was a "lot" and would contain The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and in the sound of the music. Several other forces were at work for change: Introduced 1963, these were designed as dual-purpose instruments.

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